Sans Normal Kibav 3 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Urania' by Hoftype, 'Acaraje' by Latinotype, 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, and 'Nimbus Sans Novus' and 'Nimbus Sans Round' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, branding, posters, advertising, sportswear, sporty, energetic, confident, contemporary, dynamic, impact, emphasis, modernity, momentum, visibility, oblique, geometric, rounded, clean, sturdy.
A heavy, oblique sans with broad proportions and rounded, geometric construction. Strokes are monolinear with low contrast, and terminals are cleanly cut, giving a crisp, modern edge despite the friendly round counters. The italic slant is consistent across caps, lowercase, and figures, producing a forward-leaning rhythm with strong horizontal momentum. Letterforms feel open and robust, with smooth curves in C/O/Q and compact joins in characters like n/m, contributing to a dense but readable texture at larger sizes.
Best suited to display roles such as headlines, posters, and bold editorial callouts where its width and slant can create emphasis. It also fits branding and packaging that need a strong, contemporary voice, and works naturally in sporty or action-oriented design contexts. For longer reading, it’s likely most effective in short bursts (subheads, pull quotes) rather than dense body text.
The overall tone is assertive and kinetic, with a sporty, headline-ready presence. Its forward slant and weight convey urgency and confidence, while the rounded shapes keep the voice approachable rather than aggressive.
The design appears intended as a modern, high-impact italic sans that prioritizes presence and momentum. Its wide set, sturdy strokes, and clean geometry aim to deliver strong visibility and a contemporary, brandable silhouette in prominent sizes.
The numerals are similarly wide and slanted, matching the letterforms’ stance for cohesive display setting. The round forms stay very circular, and the squared-off cuts on diagonals and terminals help maintain clarity and punch in short lines.