Sans Rounded Ubko 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Frankfurter' by ITC, 'Corkboard JNL' by Jeff Levine, 'Sebino Soft' by Nine Font, 'Core Sans CR' and 'Core Sans GS' by S-Core, 'Frankfurter SB' and 'Frankfurter SH' by Scangraphic Digital Type Collection, 'Grold Rounded' by Typesketchbook, and 'Caros Soft' by cretype (names referenced only for comparison).
Keywords: headlines, posters, packaging, kids branding, stickers, playful, friendly, chunky, bubbly, cheerful, friendliness, approachability, high impact, playful branding, soft, rounded, cartoony, compact, heavy.
A heavy, rounded sans with inflated, pillow-like strokes and consistently softened terminals. Counters are generous but not large, often forming rounded rectangles or teardrops that keep forms legible at display sizes. The overall rhythm is compact and bouncy, with broad curves, minimal angularity, and simplified joins that favor smooth continuity. Uppercase shapes are sturdy and geometric-leaning, while lowercase maintains similar mass with short extenders and a single-storey ‘a’ and ‘g’ feel.
Best suited to display typography such as headlines, posters, and punchy callouts where its bold, rounded silhouettes can breathe. It works well for playful branding, packaging, and kid-oriented products, as well as social graphics and short slogans where a friendly, high-impact voice is desired.
The tone is warm and approachable, leaning strongly toward fun, kid-friendly energy rather than formal neutrality. Its soft corners and chunky silhouettes read as optimistic and non-threatening, with a casual, cartoon-like confidence that suits lighthearted messaging.
The design appears intended to deliver maximum friendliness and visual impact through rounded geometry and thick, softened strokes. It prioritizes charm and approachability over sharp detail, aiming for a modern bubble-signage feel that stays cohesive across letters and numbers.
The figures and punctuation adopt the same inflated construction, helping headlines feel cohesive across mixed-case and numeric settings. Inner shapes (like in O, B, 8, and 9) stay open enough to avoid clogging, but the overall density still favors larger sizes and shorter lines. The sample text shows an even color and stable baseline presence, with a distinctly rounded personality that remains consistent across glyphs.