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Free for Commercial Use

Serif Normal Onze 9 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Ysobel' by Monotype and 'Jessi Neue' by Nois (names referenced only for comparison).

Keywords: headlines, editorial, book covers, magazine titles, posters, literary, traditional, formal, authoritative, print authority, classic voice, headline impact, inked character, bracketed, calligraphic, ball terminals, beaked serifs, curved joins.


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A robust serif with pronounced thick–thin modulation and strongly bracketed serifs. Strokes swell into rounded joins and taper into beaked or teardrop-like terminals, giving the outlines a subtly calligraphic, inked feel rather than a purely mechanical construction. Counters are relatively compact and the overall texture is dark and steady, with clear vertical stress in rounded forms and a slightly condensed rhythm in capitals. The lowercase shows lively details—single-storey a and g, a compact ear on g, and a gently curved, right-leaning shoulder on n/m—while numerals are weighty and traditional in proportion.

Best suited to display and editorial roles such as headlines, magazine and newspaper-style titling, book covers, and pull quotes where its high contrast and dark texture can carry presence. It can also work for short-form text in print-oriented layouts when set with sufficient leading and size to preserve the inner shapes.

The font reads as classic and editorial, projecting confidence and tradition with a slightly old-style warmth. Its heavy color and sculpted terminals add a dignified, bookish tone that can feel both formal and inviting, like established print typography.

The design appears intended to modernize a traditional text-serif voice by combining classical proportions and vertical stress with more sculptural terminals and a heavier, attention-grabbing color. The goal seems to be a reliable, familiar reading tone with extra character for titling and prominent typographic hierarchy.

Large sizes emphasize the distinctive beaked terminals and ball-like finishing strokes (notably in letters like C, G, J, S, and f), which add character without becoming decorative. At smaller settings the dense color and tight counters may call for generous spacing and comfortable line height to maintain clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸