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Sans Superellipse Pidag 6 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Heidth Variable' by Arkitype, 'Kufica' by Artegra, 'Bs Kombat' by Feliciano, 'Ando' by JCFonts, 'Aureola' by OneSevenPointFive, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, signage, branding, sports graphics, industrial, condensed, retro, authoritative, sporty, space saving, high impact, signage clarity, geometric unity, squared-round, compact, vertical, blocky, punchy.


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A compact, condensed sans with tall proportions and a squared-round (rounded-rectangle) construction. Strokes are heavy and even, with flat terminals and a tight, vertical rhythm that creates strong texture in lines of text. Counters are narrow and often rectangular, and curves resolve into softened corners rather than true circles, giving letters like O, C, and G a superelliptical feel. The lowercase keeps a straightforward, utilitarian structure with single-storey a and g, while joins and shoulders stay crisp and minimally modulated for a clean, monoline look.

Best suited for display applications where impact and space efficiency matter, such as headlines, posters, packaging callouts, sports graphics, and environmental or wayfinding-style signage. It can also work for short UI labels or navigation elements when a compact, high-contrast word shape is desired, though longer text may feel dense due to the tight proportions.

The overall tone is bold, industrial, and somewhat retro—evoking signage, athletics, and utilitarian labeling. Its tight width and dense color make it feel assertive and efficient, with a no-nonsense voice suited to attention-grabbing messaging.

The design appears intended to deliver maximum visual weight in minimal horizontal space, using rounded-rectangle geometry to keep forms sturdy and consistent. It prioritizes a strong, uniform texture and clear, punchy silhouettes for emphatic titles and compact messaging.

The condensed spacing and narrow apertures create a strong vertical emphasis, producing a dark, uniform typographic color. Numerals appear similarly condensed and sturdy, matching the uppercase’s compact geometry for cohesive display use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸