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Free for Commercial Use

Serif Humanist Pime 3 is a light, normal width, high contrast, upright, normal x-height font.

Keywords: book covers, posters, horror titles, period branding, game ui, antique, spooky, weathered, storybook, arcane, aged effect, atmospheric display, vintage print, narrative tone, dramatic texture, distressed, ornamental, engraved, ink-worn, dramatic.


Free for commercial use
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This serif face shows classic old-style proportions with noticeably bracketed serifs, narrow-to-moderate letter widths, and strong thick–thin modulation. The outlines are intentionally irregular: edges look chipped and ink-worn, with roughened counters and occasional interior breaks that create a distressed, engraved impression. Capitals are more decorative than the lowercase, featuring uneven texture and a few highly stylized forms, while the lowercase remains comparatively steady and readable with a traditional rhythm. Curves and joins retain a calligraphic feel, but the overall finish is intentionally gritty rather than polished.

Best suited to display typography where the distressed detailing can be appreciated—titles, chapter heads, posters, packaging, and identity work that needs an aged or eerie flavor. It can work for short passages or pull quotes at comfortable sizes, but the rough texture may reduce clarity in dense, small-size body text or on low-resolution outputs.

The font conveys an antique, mysterious tone—like aged print pulled from an old pamphlet, folklore book, or occult broadside. Its distressed texture adds drama and tension, suggesting decay, secrecy, or historical intrigue while still reading as a familiar serif text voice.

The design appears intended to combine a familiar old-style serif structure with deliberate erosion and ornament, evoking vintage letterpress, engraved signage, or timeworn print. It prioritizes atmosphere and narrative character while keeping enough traditional proportions to remain legible in typical headline settings.

Texture is not uniform across all glyphs: some letters carry heavier distressing and interior blemishes than others, which increases character but can make repeated text feel visually busy. Numerals and punctuation keep the same serifed, high-contrast logic and read cleanly at display sizes, while the roughened detailing is the dominant stylistic cue in headings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸