Serif Other Fugi 11 is a regular weight, narrow, medium contrast, italic, normal x-height font.
Keywords: headlines, fashion mastheads, branding, posters, packaging, fashion, theatrical, editorial, dramatic, sophisticated, expressive display, editorial flair, luxury tone, signature branding, high-waisted, flared, tapered, calligraphic, sharp.
A stylized italic serif with tall, narrow proportions and a distinctly sculpted stroke model. Letterforms show pronounced tapering and flared, knife-like terminals that read as serif-like wedges rather than conventional bracketed serifs. Curves and bowls are drawn with an engraved, cutout sensibility—often thinning to hairline entry/exit points and swelling into bold, blade-shaped strokes—creating a lively, high-contrast silhouette without becoming ultra-didone. The rhythm is energetic and irregular in a deliberate way, with selective exaggeration in diagonals and a few characters that feel more display-tuned than text-neutral.
Best suited for display sizes such as magazine headlines, mastheads, and luxury or boutique branding where the sharp terminals and tapered strokes can read cleanly. It can add a curated, editorial character to posters and packaging, especially when paired with a quieter text face to balance its expressive details.
The overall tone feels couture and performative: elegant at first glance, but with a quirky, slightly surreal edge from the razor terminals and sharply pinched joins. It suggests contemporary fashion publishing, boutique branding, and art-directed headlines where drama and sophistication are both desired.
The design appears intended to reinterpret the classic italic serif through a more graphic, cut-and-carved construction, emphasizing sharp terminals, exaggerated tapering, and a runway-like narrow stance. It prioritizes personality and art direction over neutrality, aiming to make short passages and titles feel bespoke and high-impact.
Uppercase forms lean toward refined display caps, while the lowercase introduces more idiosyncratic shapes and brisk, calligraphic movement. Numerals echo the same tapered, flared construction, and the italic angle is consistent across letters, helping long lines feel fluid even as individual glyphs retain a distinctive, ornamental bite.