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Free for Commercial Use

Sans Superellipse Jata 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Hyper Fatos' by Bisou, 'Bhelt' by Fateh.Lab, 'Maken' by Graphicxell, 'Silent Comedy JNL' by Jeff Levine, 'Stallman Round' by Par Défaut, and 'Friez' by Putracetol (names referenced only for comparison).

Keywords: headlines, posters, logos, sports branding, packaging, industrial, poster, athletic, playful, techno, high impact, brand stamp, industrial tone, display clarity, distinct texture, blocky, rounded, compact, stencil-like, geometric.


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A heavy, blocky sans built from rounded-rectangle geometry. Strokes are uniformly thick with minimal modulation, and corners are broadly radiused, producing a soft superellipse feel even in angular letters. Counters and apertures are tight and often squared-off, with frequent rectangular notches and cut-ins that create a slightly stencil-like, segmented rhythm. Proportions are generally compact with sturdy verticals, while widths vary noticeably across the set, giving the face a punchy, uneven texture in lines of text.

Best suited to headlines, posters, signage, and logo wordmarks where its weight and compact shapes can deliver immediate impact. It also fits sports branding, event graphics, product packaging, and bold UI moments that benefit from a sturdy, geometric presence rather than delicate detail.

The overall tone is bold and assertive, with a utilitarian, industrial flavor. The rounded corners keep it from feeling harsh, adding a playful, game-like friendliness to an otherwise tough, mechanical silhouette. The notched details add a sporty, badge-like energy that reads well in attention-grabbing settings.

The design appears intended to deliver maximum impact through dense, rounded-block letterforms while adding character via consistent notches and squared counters. It prioritizes strong silhouette recognition and a distinctive, engineered texture for display typography.

In longer text, the dense counters and occasional internal cut-ins create a strong black footprint and a choppy texture, so generous tracking and leading can help maintain clarity. The numerals match the same rounded-block construction and feel especially suited to large sizes where their cut details remain distinct.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸