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Free for Commercial Use

Sans Superellipse Jedo 3 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Ramsey' by Associated Typographics, 'Hyper Fatos' by Bisou, 'PODIUM Sharp' and 'PODIUM Soft' by Machalski, and 'Blunt' by Miller Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, labels, sporty, industrial, confident, poster-ready, punchy, impact, solidity, branding, display clarity, retro utility, blocky, rounded corners, compact, square-shouldered, stencil-like.


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A heavy, block-oriented sans with rounded-rectangle construction and softly squared corners. Strokes are uniformly thick with minimal modulation, and counters tend to be small, producing dense, high-impact word shapes. Curves resolve into superelliptical bowls and squared shoulders; joins are blunt and terminals are flat, giving the design a cut, machined feel. Uppercase forms are broad and compact, while the lowercase maintains a large, sturdy x-height with simplified shapes and short extenders; the figures follow the same chunky, rounded-rect geometry for consistent texture in text and numerals.

Best suited to headlines, posters, and attention-grabbing short copy where its dense, blocky silhouettes can carry visual weight. It also fits sports branding, product packaging, and labels that benefit from a tough, industrial presence and strong, consistent numerals.

The overall tone is bold and assertive, leaning sporty and utilitarian with a slightly retro, workwear flavor. Its compact massing and squared rhythm feel engineered and no-nonsense, prioritizing impact over delicacy.

The font appears designed to deliver maximum impact through compact, rounded-rect forms and uniform stroke weight, creating a highly legible, robust texture for display settings. Its superelliptical geometry suggests an intention to balance hard, squared structure with friendly rounded corners for broad commercial appeal.

The design’s tight counters and heavy ink traps the interior whitespace, so it reads strongest at medium-to-large sizes where the rounded corners and inner apertures remain clear. The consistent geometry across letters and digits creates a uniform, logo-like texture, and some shapes (notably diagonals and angled joins) introduce a subtle, dynamic edge within an otherwise squared system.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸