Sans Other Epko 2 is a very bold, very wide, medium contrast, upright, tall x-height font.
Keywords: headlines, posters, logos, gaming ui, sports branding, industrial, arcade, techno, brutalist, mechanical, maximum impact, tech styling, industrial labeling, retro digital, angular, blocky, stencil-like, modular, squared.
A heavy, geometric sans built from squared, modular forms with sharp corners and occasional chamfered cuts. Strokes are uniformly thick with crisp edges, and many counters are reduced to small rectangular apertures, giving letters a punched or stencil-like feel. Curves are largely suppressed in favor of straight segments, producing a rigid rhythm and strong, compact silhouettes. Lowercase maintains a tall, robust presence with simplified bowls and terminals; numerals follow the same rectilinear logic for a cohesive, engineered texture.
Best suited to display settings where its blocky geometry and compact counters can be appreciated—headlines, posters, packaging, esports and gaming interfaces, and bold branding marks. It can also work for short labels or signage where a rugged, technical feel is desired, but it is less appropriate for long-form text.
The overall tone is tough and utilitarian, with a retro-digital edge reminiscent of arcade UI, industrial labeling, and sci‑fi control panels. Its dense black shapes and squared apertures create an assertive, no-nonsense voice that reads as technical and game-like rather than friendly or literary.
This font appears designed to maximize impact through dense, squared forms and simplified interiors, creating a modular, machine-made look. The carved apertures and minimal curvature suggest an intention to evoke digital/industrial aesthetics while preserving clear, punchy letter silhouettes at large sizes.
The design’s distinctive identity comes from its carved interior openings and angular notches, which add character while keeping the overall texture solid and high-impact. At smaller sizes those tight counters may close up, while at display sizes the cut-ins and apertures become a defining graphic feature.