Sans Normal Remey 1 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'HF HySans' by HyFont Studio, 'Basic Sans Narrow' by Latinotype, 'Nusara' by Locomotype, 'Glimp Rounded' by OneSevenPointFive, and 'Eldwin' by The Northern Block (names referenced only for comparison).
Keywords: branding, headlines, packaging, posters, social media, friendly, approachable, modern, playful, confident, approachability, clarity, modern branding, friendly display, rounded, soft, clean, open, geometric.
A heavy, rounded sans with smooth, continuous curves and minimal stroke modulation. Counters are generally open and generous, with circular bowls and softly tapered joins that avoid sharp internal corners. Terminals tend to be blunt or gently rounded, giving strokes a sturdy, even color across text. Uppercase forms feel compact and solid, while lowercase shows a simple, single-storey construction in key letters (notably a and g), supporting a straightforward, contemporary rhythm.
Well-suited for branding systems that need a friendly, modern personality, as well as headlines and short-to-medium display copy where its rounded forms can be appreciated. It also fits packaging, posters, and social media graphics that benefit from bold, approachable typography. For longer passages, it can work when a warm, informal tone is desired and sizes/spacing are set comfortably.
The overall tone is friendly and informal without becoming novelty-driven. Its rounded geometry and sturdy weight convey warmth and confidence, producing a welcoming voice that feels contemporary and easygoing. In larger sizes it reads upbeat and personable; in text it remains clear but distinctly casual.
The design appears intended to deliver a robust, highly legible rounded sans for contemporary communication—balancing geometric simplicity with softened details to keep the texture welcoming. Its construction suggests a focus on clarity at display sizes and a consistent, confident typographic color.
The numerals are round and substantial, matching the letterforms’ soft geometry and maintaining consistent visual weight. Diacritics and punctuation shown (e.g., the apostrophe) appear simple and functional, aligning with the font’s clean, no-fuss construction.