Sans Superellipse Ogdip 1 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Carnac' and 'Carnas' by Hoftype, 'Core Gothic M' by S-Core, and 'Obvia' by Typefolio (names referenced only for comparison).
Keywords: headlines, branding, packaging, posters, logos, friendly, techy, playful, confident, retro, soften geometry, maximize impact, systematic forms, modern signage, rounded, soft corners, blocky, geometric, compact.
A heavy, rounded sans with a squared-off superellipse construction: straight stems and horizontal bars transition into generously rounded corners, creating a soft-rectangular silhouette. Stroke weight is consistent and substantial, with compact interior counters (notably in B, a, e, 8) that stay clear at display sizes. Curves tend to be flattened rather than perfectly circular, giving bowls and apertures a controlled, engineered feel; terminals are blunt and clean. Proportions are tidy and slightly condensed in the curves, with a rhythmic, modular look across capitals, lowercase, and numerals.
Best suited to display applications where its chunky, rounded geometry can read cleanly: headlines, brand marks, packaging, posters, and attention-grabbing UI or product titling. It also works well for short blocks of copy at larger sizes where the compact counters and strong rhythm support quick scanning.
The overall tone is upbeat and approachable, balancing a toy-like softness with a modern, device-interface confidence. Its rounded rectangle geometry reads as contemporary and technical, while the chunky weight adds warmth and immediacy. The result feels bold in presence without becoming aggressive.
The design appears intended to translate rounded-rectangle geometry into a robust, highly legible display sans. By standardizing corner radii and keeping strokes uniform, it aims for a consistent, modern system that feels friendly and industrial at the same time.
Distinctive superellipse forms make letters look stable and “cased,” with consistent corner radii across the set. Lowercase forms lean toward simplified, geometric constructions; joins and diagonals (k, v, w, x) remain crisp while preserving the rounded system. Numerals are similarly sturdy and uniform, with clear differentiation and strong fill at large sizes.