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Sans Superellipse Pebiv 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Knockout' by Hoefler & Co., 'Anantason Reno' and 'Prachason Neue' by Jipatype, 'Motorway' by K-Type, 'Helvetica' by Linotype, 'PG Gothique' and 'PG Grotesque' by Paulo Goode, and 'Europa Grotesk SB' and 'Europa Grotesk SH' by Scangraphic Digital Type Collection (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, industrial, sporty, retro, punchy, assertive, space saving, high impact, branding, signage clarity, geometric warmth, condensed, blocky, rounded corners, compact, sturdy.


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A condensed, heavy sans with compact proportions and squared-off, superellipse curves that read as rounded rectangles rather than true circles. Strokes stay broadly consistent in thickness, with tight apertures and short terminals that create a dense, poster-friendly texture. Corners are softly radiused throughout, and the glyphs show slightly idiosyncratic widths—some letters feel extra compressed while others open up—adding a pragmatic, engineered rhythm. Numerals are similarly robust and compact, designed for strong color and high impact.

This font is best suited for headlines, labels, and display work where compact width and strong stroke weight deliver maximum impact. It works well for branding systems that need an industrial or sporty tone, including packaging, event graphics, and wayfinding-style signage, especially when set at larger sizes.

The overall tone is bold and utilitarian, with a confident, no-nonsense voice that feels at home in signage and high-energy branding. Its rounded-rectangle geometry adds a friendly edge to the otherwise tough, industrial presence, giving it a sporty, retro-technical character.

The design appears intended to deliver high-impact readability in constrained horizontal space, using rounded-rectangle construction to keep the heavy weight approachable. Its slightly varied glyph widths and compact counters suggest a focus on bold, practical display typography rather than delicate text setting.

The face maintains a consistent, chunky silhouette that holds together well in all-caps and large sizes, while the tight counters and condensed build can make long passages feel dense. The rounded corners help prevent the weight from looking overly harsh, keeping the black shapes controlled and cohesive.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸