Sans Superellipse Rygom 3 is a regular weight, normal width, medium contrast, italic, normal x-height font.
Keywords: branding, headlines, posters, sportswear, technology, futuristic, sporty, techno, dynamic, sleek, speed cue, modernize, tech styling, streamline, brand distinctiveness, rounded corners, soft terminals, oblique, geometric, squared-round.
A slanted, geometric sans with superellipse construction: rounded-rectangle bowls, squared counters, and consistently softened corners. Strokes are smooth with a gentle modulation and many terminals finish with subtle tapering or slight flaring, giving curves a lively, brush-like snap without becoming calligraphic. Proportions lean wide in rounded letters and tighter in straight-sided forms, creating an energetic rhythm; apertures are fairly open and the overall texture stays clean and high-contrast against the page. Figures follow the same rounded-rect logic, with compact, looped forms and a distinctly streamlined set of curves and diagonals.
Best suited to display roles where its stylized geometry and motion-forward slant can be a feature—brand marks, product identities, headlines, packaging, posters, and UI/overlay labels in tech or automotive themes. It can work for short text blocks when set with generous spacing, but its distinctive shapes are most effective at medium to large sizes.
The font conveys a contemporary, forward-leaning tone—fast, engineered, and slightly retro-futuristic. Its oblique stance and rounded-square geometry suggest speed and motion, making it feel at home in tech, transport, and sport-adjacent contexts while remaining approachable due to the softened corners.
The design appears intended to blend geometric, rounded-rectangle construction with a built-in sense of speed, producing a modern techno voice that remains friendly through softened corners and open shapes. It aims for a cohesive, system-like look across caps, lowercase, and numerals while keeping a distinctive, branded silhouette.
Curved letters often read as squared-off arcs rather than true circles, and the obliquing is integral to the design rather than a simple slant. The mix of firm vertical sides and softened joins produces a distinctive “aero” silhouette, and the punctuation and numerals echo the same streamlined, rounded-rect styling for consistency.