Sans Superellipse Rymup 1 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: display, branding, posters, headlines, packaging, techy, retro-futurist, clean, friendly, soft tech, geometric system, distinctive texture, signage clarity, rounded corners, modular, squared curves, compact, crisp.
This typeface is a rounded, squared sans with a superelliptical construction: straight stems and bowls resolve into soft corners rather than true circles. Strokes are generally even with subtle modulation visible at joins and terminals, and the outlines feel deliberately geometric and slightly modular. Many glyphs mix rigid verticals with broad, rounded rectangles (notably in counters and bowls), while diagonals (V/W/X/Y) introduce gentle curvature that keeps the texture from feeling mechanical. Numerals echo the same rounded-rectangle logic, with open, simplified forms and clear interior space.
It suits display-forward applications where a geometric, softened-tech voice is desired: brand marks, headings, posters, packaging, and UI/wayfinding accents. The simplified, open counters and rounded-square geometry help maintain clarity at moderate sizes while keeping a memorable silhouette.
The overall tone reads contemporary and technical with a distinct retro-digital flavor, like signage or interface lettering softened for approachability. Rounded corners and smooth curves add friendliness, while the squared geometry maintains an engineered, purposeful character.
The design appears intended to blend geometric precision with approachable rounding, creating a modern sans that evokes digital/industrial cues without feeling harsh. Its consistent superelliptical vocabulary across letters and numerals suggests a focus on cohesive, system-like branding and attention-grabbing titling.
Several letters show intentionally stylized terminals and asymmetric details that add personality (e.g., the curled tail on lowercase y, the single-storey a, and a compact, squared-shouldered m/n). The rhythm in text is slightly syncopated due to mixed straight-and-curved strokes, giving headlines a distinctive, designed texture rather than a purely neutral appearance.