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Free for Commercial Use

Sans Superellipse Abruj 14 is a regular weight, normal width, monoline, upright, normal x-height, monospaced font visually similar to 'Mono Spec' by Halbfett, 'Monorama' by Indian Type Foundry, and 'Realtime' and 'Realtime Rounded' by Juri Zaech (names referenced only for comparison).

Keywords: ui labels, code samples, dashboards, posters, packaging, retro, technical, utilitarian, arcade, industrial, system clarity, technical tone, retro computing, glyph differentiation, geometric branding, rounded corners, squared curves, stencil-like, boxy, mechanical.


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A compact, boxy sans with rounded-rectangle construction throughout and a strongly uniform stroke. Curves are expressed as squared-off arcs with softened corners, producing superellipse-like bowls in letters such as C, D, O, and Q. Terminals are blunt and consistent, counters are open and fairly generous for the overall width, and many joins resolve into crisp right angles. Several capitals incorporate distinctive diagonal notches and pointed inner corners (notably in A, V, W, X, and Y), giving the set a subtly engineered, cut-metal feel. Numerals follow the same squared-round logic, with a clear slashed zero for differentiation.

Well suited to interface typography, dashboards, technical documentation, and any layout that benefits from tidy alignment and a disciplined rhythm. It also works effectively in posters, game/arcade-themed graphics, and product labeling where a retro-industrial, system-like voice is desired.

The overall tone is pragmatic and machine-like, with a retro-digital edge that recalls terminals, arcade systems, and industrial labeling. Its squared curves and consistent rhythm communicate a straightforward, no-nonsense voice, while the angled cuts add character without becoming decorative.

The font appears designed to balance functional clarity with a distinctive geometric personality, using rounded-rectangle forms and consistent stroke behavior to maintain a systematized look. The added diagonal notches and a slashed zero suggest an emphasis on differentiation and an engineered, technical character for display and UI contexts.

The design reads cleanly at larger sizes and remains structurally legible thanks to open apertures and simplified geometry. The angled incisions in select glyphs create a signature texture that can become a strong visual motif in headings and short lines of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸