Sans Superellipse Abder 1 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Knockout' by Hoefler & Co., 'Nudista' by Suitcase Type Foundry, and 'NeoGram' by The Northern Block (names referenced only for comparison).
Keywords: ui design, app branding, signage, headlines, packaging, friendly, modern, clean, approachable, pragmatic, clarity, friendliness, modernity, brand distinctiveness, functional readability, rounded corners, soft geometry, open apertures, even rhythm, compact curves.
A soft geometric sans with subtly squared, rounded-corner curves that give round letters a superellipse feel. Strokes are even and steady, with minimal modulation and clean, straightforward terminals. Proportions read balanced and workmanlike, with generous counters and open apertures that keep forms clear in both caps and lowercase. The overall rhythm is consistent and tidy, with gently rounded joins that avoid sharpness while maintaining a crisp silhouette.
It performs well in UI and product contexts where a clean, friendly sans is needed, and it holds up in headings thanks to its compact, confident shapes. The open counters and steady stroke weight also make it a solid choice for signage, labels, and short-to-medium text in marketing materials.
The tone is modern and approachable, combining a friendly softness with a no-nonsense, utilitarian clarity. Its rounded geometry feels contemporary and welcoming rather than technical or severe, making it suitable for interfaces and everyday branding.
The design appears intended to deliver a contemporary geometric sans with softened corners—aiming for clarity and consistency while adding a distinctive rounded-rectangle personality. It prioritizes legibility and a calm texture in running text, while remaining recognizable and brandable at display sizes.
Lowercase forms lean toward single-storey simplicity (notably the a and g), reinforcing the geometric, contemporary voice. Numerals are sturdy and legible with simple construction, matching the letterforms’ rounded-rectangle logic and keeping text color even in blocks of copy.