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Free for Commercial Use

Slab Square Samy 2 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Equip Slab' by Hoftype, 'Brignell Slab' by IB TYPE Inc., and 'Weekly' by Los Andes (names referenced only for comparison).

Keywords: headlines, posters, book covers, packaging, branding, sturdy, traditional, confident, editorial, institutional, impact, legibility, heritage, authority, print texture, bracketed serifs, flared joins, large counters, open apertures, heavy shoulders.


Free for commercial use
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A heavy, roomy slab serif with broad proportions and dense vertical strokes balanced by generous counters. Serifs are pronounced and mostly square-ended with subtle bracketing, producing a solid, anchored baseline and strong horizontal rhythm. Curves are full and controlled, with smooth transitions into stems; joints and terminals feel slightly softened rather than razor-sharp. The lowercase shows a compact, workmanlike structure with clear differentiation (notably in a, g, and y), and the numerals are sturdy and legible with consistent weight and stable widths.

Well-suited to headlines, subheads, and short blocks of copy where a bold, grounded serif voice is desired. It can perform effectively in print-forward contexts such as book covers, editorial layouts, and packaging, and it also works for branding that aims for heritage, reliability, or craft-driven character.

The overall tone is dependable and authoritative, combining a classic print feel with a robust, no-nonsense presence. It reads as confident and slightly old-school, suggesting craftsmanship and permanence rather than minimalism or high-tech sleekness.

The design appears intended to deliver a robust slab-serif voice with strong presence and high legibility, emphasizing stability, clarity, and a classic print texture. Its broad proportions and confident serifs suggest a focus on impactful display use while remaining composed in running samples.

In text, the wide set and strong serifs create a prominent texture and a steady cadence, with clear word shapes and strong emphasis on capitals. The design’s broad bowls and open apertures help maintain clarity at display-to-subhead sizes, while the heavy serifs add a distinctive editorial flavor.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸