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Free for Commercial Use

Slab Square Tyku 10 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Blame Sport' by Agny Hasya Studio, 'Comply Slab' by Arkitype, 'Collegium' by GRIN3 (Nowak), 'Game Rules JNL' by Jeff Levine, 'Outright' by Sohel Studio, and 'Hockeynight Serif' by XTOPH (names referenced only for comparison).

Keywords: sports branding, headlines, posters, apparel, packaging, athletic, industrial, retro, assertive, energetic, impact, speed, ruggedness, branding, display, blocky, angular, beveled, ink-trap, compact.


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A heavy, forward-leaning slab-serif design with compact proportions and a distinctly angular construction. Strokes are low-contrast and largely straight-sided, with clipped corners and squared terminals that create a chiseled, faceted silhouette. Serifs read as robust slabs with sharp joins, and several glyphs show small notches/ink-trap-like cut-ins at internal corners that add snap and improve separation in tight shapes. Counters are relatively small and geometric, giving the letters a dense, punchy texture in text, while the numerals carry the same blocky, cut-corner treatment for a consistent set.

Best suited to short, high-impact settings such as sports identities, event posters, bold headlines, and apparel graphics where its angled, slabbed forms can project energy. It can also work for packaging or signage when a tough, industrial-leaning voice is desired, especially at larger sizes where the faceted details stay clear.

The overall tone is sporty and forceful, evoking varsity lettering and competition graphics while also feeling mechanical and utilitarian. Its strong rightward slant and hard edges give it motion and urgency, making it feel confident and headline-driven rather than conversational.

The design appears intended to deliver maximum punch with a fast, athletic slant and sturdy slab terminals, balancing legibility with a deliberately machined, cut-corner aesthetic. The consistent angular language across caps, lowercase, and figures suggests a display-focused typeface built for branding and emphatic messaging.

The italic slant is paired with deliberately squared-off geometry, producing a distinctive “speed” impression without relying on curves. In the sample text, the dense color and sharp cornering create a rugged rhythm, with the stepped shapes and tight apertures emphasizing impact over softness.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸