Sans Superellipse Girek 2 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Surt' by Blaze Type, 'BR Shape' by Brink, 'Resolve Sans' by Fenotype, 'Minor' by Glen Jan, 'Pacaembu' by Naipe Foundry, and 'Nurom' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, punchy, industrial, high impact, bold legibility, geometric clarity, approachable strength, blocky, rounded, compact, sturdy, geometric.
A heavy, compact sans with broad proportions and rounded-rectangle construction throughout. Curves are squarish and superelliptical rather than circular, with large counters and generous internal space that keep the weight from clogging. Terminals are blunt and clean, joins are smooth, and strokes stay essentially uniform, producing a strong, poster-like texture. Lowercase forms are simple and sturdy, with short extenders and a single-storey feel where applicable; figures are equally robust and highly legible.
Best suited to headlines, posters, and short emphatic text where its weight and wide stance can do the work. It also fits branding, packaging, and signage that benefit from a strong, approachable geometric voice. For long-form copy it’s more effective in brief blocks or as a display companion.
The overall tone is bold and self-assured, combining a friendly softness from the rounded corners with an assertive, no-nonsense mass. It reads contemporary and slightly industrial, aiming for clarity and impact rather than delicacy.
The font appears designed to deliver maximum presence with simple, geometric forms, using rounded-rectangle curves to stay friendly while remaining highly graphic. Its consistent stroke weight and large counters suggest an emphasis on bold legibility and recognizable silhouette in display contexts.
The design’s superelliptical curves create a distinctive rhythm: round letters feel more squared, and straight-sided letters feel softened at the corners. At larger sizes the chunky shapes look deliberate and graphic; in dense settings the heavy color can dominate, so spacing and line length become important for comfortable reading.