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Free for Commercial Use

Inverted Gahe 1 is a very bold, very narrow, medium contrast, upright, tall x-height font.

Keywords: posters, headlines, logotypes, packaging, event flyers, playful, hand-cut, retro, quirky, punchy, graphic impact, handmade feel, retro display, signage look, novelty tone, stencil-like, irregular, condensed, tall, organic.


Free for commercial use
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A condensed, tall display face built from solid rectangular tiles with the letterforms knocked out as counters, producing a consistent inverted, cut-out look. Strokes are monolinear in feel, but edges are intentionally irregular: stems wobble, corners pinch, and curves flatten into angular, hand-cut shapes. The overall rhythm is vertical and compact, with narrow set widths, tight internal apertures, and a strong, high-contrast figure/ground effect created by the black blocks and white glyph interiors. Terminals tend to be blunt and squared, and the texture reads as a row of uneven placards rather than a smooth typographic line.

Best suited to short display settings such as posters, headlines, logotypes, and packaging where the inverted tile-and-cutout construction can be appreciated. It also works well for playful event materials, zines, and retro-themed graphics, but is less appropriate for extended reading or small sizes due to the tight apertures and dense texture.

The font conveys a playful, slightly mischievous energy—like handmade signage or collage lettering. Its irregular cut-out construction feels crafty and retro, with a bold graphic presence that reads more as an attitude than a neutral text voice.

The design appears intended to mimic hand-cut stencil or collage lettering by placing condensed characters within bold tiles and carving the forms out through negative space. The goal is a high-impact, quirky display voice with a distinctive figure/ground flip that stays consistent across the alphabet and numerals.

Because each character sits inside a solid block, spacing and alignment feel intentionally jittery, creating a lively, poster-like texture. The design’s strong silhouette and negative-space letterforms favor larger sizes where the inner shapes and quirky edge behavior remain clear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸