Sans Superellipse Penid 7 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Bronex Pro' by Alit Design, 'Churchward 69' by BluHead Studio, 'Geakosa' by Kulokale, and 'Barbaros' by MoodyType (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, packaging, industrial, condensed, assertive, retro, poster, high impact, space saving, signage clarity, industrial tone, uniform geometry, blocky, squared, rounded corners, compressed, sturdy.
A condensed, heavy sans with squared, superellipse-like bowls and consistently rounded corners. Strokes are monolinear with minimal modulation, producing a dense, even texture. Counters are tight and vertically oriented, with tall apertures and compact inner spaces that keep the rhythm narrow and punchy. Terminals are blunt and flat, and curves resolve into rounded rectangles rather than true circles, giving letters like O, C, and G a structured, engineered feel. The lowercase maintains a straightforward, built-up construction with short shoulders and compact joins, and the numerals follow the same tall, compressed geometry for a cohesive set.
Best suited to attention-grabbing display settings such as headlines, posters, storefront or wayfinding signage, and bold brand marks. It can also work on packaging and labels where a compact footprint and strong visual mass are helpful, especially at medium to large sizes.
The tone is bold and utilitarian, with a strong display presence that reads as industrial and slightly retro. Its compressed proportions and squared curves feel confident and forceful, evoking headlines, signage, and poster typography where impact matters more than softness.
The design appears intended to maximize impact in a narrow width while maintaining clarity through simple, low-contrast construction and squared, rounded-rectangle forms. It prioritizes strong silhouette, consistent structure, and a sturdy, industrial flavor for display typography.
Spacing appears tight and consistent, reinforcing a vertical, columnar color in text lines. The design language stays highly uniform across uppercase, lowercase, and figures, emphasizing repeatable shapes and a mechanical regularity.