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Free for Commercial Use

Inline Ryji 3 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Conamore' by Grida; 'Agent Sans', 'Akagi', and 'Akagi Pro' by Positype; 'Core Sans C' by S-Core; and 'Caros' by cretype (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, kids branding, playful, retro, chunky, festive, bold, playful impact, decorative depth, hand-cut feel, signage voice, rounded, soft corners, bouncy, cartoonish, inky.


Free for commercial use
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A heavy, rounded display face with soft corners and slightly irregular, hand-cut geometry. Strokes are thick and compact, with small counters and a carved inline highlight that follows the interior of many curves and stems, giving a dimensional, cutout feel. Curves are generous and bowl-heavy (notably in C, G, O, Q, and lowercases like a, e, g), while joins and terminals stay blunt and blocky. The overall rhythm is lively rather than strictly geometric, with subtle wobble and varied internal spacing that reads as intentionally organic.

Best suited to bold, attention-grabbing display work such as posters, headlines, event promos, and playful branding. The carved inline detail also makes it a strong choice for packaging, stickers, and logo marks where a bit of decorative dimension is desirable. It’s most effective at medium-to-large sizes where the internal carving remains legible.

The font projects a cheerful, punchy tone—like bold paper-cut lettering or a playful signboard style. The inline carving adds a bit of theatrical flair, turning solid black shapes into something more animated and decorative. It feels friendly and energetic, with a mild vintage vibe.

The design appears intended to deliver maximum impact with friendly, rounded forms while adding character through an interior inline carve that suggests depth and craft. It prioritizes personality and visual presence over neutrality, aiming for a distinctive, upbeat display voice.

The inline treatment is most prominent in curved letters and rounded numerals, creating a consistent highlight motif across the set. The texture-like interior cuts can make the glyphs feel slightly distressed or hand-inked at large sizes, while dense counters suggest it will look strongest when given ample size and breathing room.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸