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Free for Commercial Use

Sans Normal Afray 16 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Avenir Next', 'Avenir Next Cyrillic', 'Avenir Next Hebrew', 'Avenir Next Paneuropean', and 'Avenir Next World' by Linotype; 'Geograph' by Sarah Khan; and 'Soleil' by TypeTogether (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, energetic, modern, sporty, assertive, clean, forward motion, impact, clarity, modern utility, display emphasis, slanted, rounded, compact, punchy, smooth.


Free for commercial use
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A slanted sans with sturdy, even strokes and smoothly rounded curves. The letterforms lean consistently, with compact proportions and generous counters that keep shapes open at display sizes. Terminals are clean and mostly straight-cut, while curves (notably in C, O, S, and lower-case bowls) are broad and geometric. Lowercase forms are simple and contemporary, with a single-storey a and g, and a clear, short-armed t; numerals are rounded and substantial with straightforward, utilitarian construction.

This font performs best in headlines and short statements where its sturdy weight and consistent slant create strong impact. It is well suited to branding systems that want a modern, active feel, as well as packaging, promotional graphics, and signage where clarity and presence are priorities.

The overall tone is fast and contemporary, with an athletic, forward-moving rhythm created by the steady slant and dense color. It feels practical and confident rather than delicate, projecting a no-nonsense, modern voice suited to energetic messaging.

The design appears intended to deliver a modern italic sans voice with strong presence and easy readability, combining geometric roundness with a brisk forward slant. It aims for a compact, impactful texture that holds together well in display settings while remaining legible in short runs of text.

The design maintains a uniform texture across uppercase, lowercase, and figures, producing strong word-shape cohesion in longer lines. Round letters stay smooth and stable, while diagonals (V, W, X, Y) feel crisp and emphatic, reinforcing a dynamic, action-oriented impression.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸