Sans Normal Akbay 22 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'ATC Arquette' by Avondale Type Co., 'Area' by Blaze Type, 'Heavitas Neue' by Graphite, 'Antebas' by Lafontype, 'Candid' by Lucas Tillian, 'Sailec' by Type Dynamic, 'TT Commons Classic' by TypeType, and 'Segment' by Typekiln (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, ui labels, modern, friendly, clean, confident, practical, clarity, versatility, impact, modernity, geometric, rounded, compact, high-contrast counters, crisp terminals.
This typeface shows sturdy, even strokes with smooth, rounded curves and crisp, largely straight terminals. Uppercase forms are compact and geometric, with broad bowls (B, D, O, P) and simple joins; the G has a straightforward horizontal bar and the Q uses a short diagonal tail. Lowercase is similarly clean and workmanlike, with single-storey a and g, a compact e with a tight aperture, and a short-armed t; dots on i and j are round and prominent. Numerals are solid and simple, with an oval 0 and a straightforward, vertical 1, giving a consistent, legible rhythm across the set.
It performs best where strong, clean letterforms are needed—headlines, posters, packaging, and brand marks—while remaining readable for short UI labels and navigational text. The dense, compact shapes make it especially effective for attention-grabbing titles and high-contrast layouts.
The overall tone is modern and approachable, projecting clarity and reliability rather than personality-driven quirks. Its rounded geometry softens the heaviness of the weight, creating a friendly, contemporary voice suited to straightforward communication.
The design appears intended as a contemporary geometric sans that balances impact with friendliness. It prioritizes clear construction, consistent stroke weight, and simplified, familiar forms to stay versatile across display and short-text settings.
Counters and apertures tend to be on the tighter side, which adds density and impact at larger sizes. Diagonals (A, V, W, X, Y) feel stable and controlled, and curves remain smooth without visible modulation, reinforcing a crisp, utilitarian finish.