Print Lylur 3 is a regular weight, normal width, low contrast, upright, short x-height font.
Keywords: greeting cards, kids projects, packaging, social graphics, posters, playful, friendly, casual, handmade, quirky, human warmth, informal voice, approachable notes, casual display, easy readability, rounded, bouncy, loopy, monoline, slightly irregular.
A casual, monoline handwritten print with rounded terminals and gently wavering strokes that preserve a drawn-by-hand feel. Forms are generally open and simple, with soft curves, occasional looped joins, and slight inconsistencies in stroke flow that create a natural rhythm rather than strict geometric regularity. Uppercase letters are narrow-to-moderate with modest overshoots, while lowercase letters keep compact counters and short extenders, maintaining an even, approachable texture in text. Numerals follow the same relaxed construction with smooth curves and lightly tapered turns.
Well-suited for short to medium text in friendly contexts such as greeting cards, classroom materials, children’s projects, casual packaging, and social media graphics. It can also work for headings, captions, and pull quotes where an approachable handwritten voice is desired, especially at sizes where the rounded details and subtle irregularities remain clear.
The overall tone is friendly and informal, suggesting quick marker notes or neat classroom handwriting. Its mild quirks and buoyant spacing add a personable, conversational character without becoming chaotic. The result feels approachable, lighthearted, and everyday.
The design appears intended to capture a neat, everyday handwritten print—more legible than cursive, but still distinctly human. Its consistent stroke weight and rounded, relaxed letterforms aim to provide an informal voice for display and light text use while preserving the charm of hand-drawn imperfections.
The font maintains consistent stroke thickness while allowing subtle variation in curvature and finishing, which helps it read as authentic handwriting. Round characters (like O/0 and C) lean toward soft, open bowls, and many letters show gently flattened tops or slight hooks that reinforce the human, drawn texture. The spacing appears comfortable and slightly airy, supporting legibility at larger text sizes.