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Sans Superellipse Keli 11 is a very bold, very narrow, monoline, italic, normal x-height font visually similar to '403 Neudron' by 403TF, 'Etrusco Now' by Italiantype, 'Hornsea FC' by Studio Fat Cat, and 'Kenyan Coffee' by Typodermic (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, action, industrial, retro, impact, speed, compression, branding, condensed, slanted, rounded, squared, high contrast.


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A compact, right-leaning sans with tightly condensed proportions and a firmly engineered silhouette. Strokes are consistently heavy, with rounded-rectangle counters and softened corners that keep the shapes smooth despite the aggressive width. Curves and straight segments transition with a superelliptical feel, producing boxy ovals in letters like O and D and squared bowls in forms like P and R. The rhythm is punchy and uniform, with short apertures and compact internal space that emphasize density and forward motion.

Best suited to headlines, posters, and short statements where condensed width and strong stroke presence help pack information into limited space. It can work well for sports and automotive-style branding, event graphics, packaging, and bold signage where an energetic, forward-leaning voice is desired. For body text, it’s more effective in brief bursts or as a supporting display accent.

The overall tone is fast, forceful, and performance-driven, evoking motorsport and athletic branding. Its slant and compressed stance read as urgent and energetic, while the rounded corners add a modern, technical polish rather than a harsh or jagged look. The result feels bold and confident, suited to high-impact messaging.

The design appears intended as a high-impact condensed display sans that communicates speed and strength while staying contemporary through rounded-rectangle construction. The consistent stroke behavior and tightly controlled proportions suggest an emphasis on cohesive branding across caps, lowercase, and numerals.

Across both uppercase and lowercase, the design keeps counters small and terminals clean, prioritizing a strong block of color. Numerals follow the same condensed, slanted logic, maintaining consistency for display settings. In longer lines of text, the heavy weight and narrow set create a strong horizontal texture that favors headlines over extended reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸