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Sans Superellipse Ukmag 1 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Kufica' by Artegra, 'Ando' by JCFonts, 'Aureola' by OneSevenPointFive, 'Monbloc' by Rui Nogueira, and 'Core Mellow' by S-Core (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, industrial, retro, authoritative, condensed, poster-like, space-saving, high impact, branding, modular style, blocky, squared, stencil-like, ink-trap, high-contrast counters.


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A condensed display face built from squared, rounded-rectangle geometry with mostly uniform stroke thickness. Terminals are sharply cut with small chamfered notches and frequent vertical incisions that create a subtly stencil-like rhythm without breaking the glyphs apart. Counters tend to be tall and narrow, with compact interior spaces and occasional slit-like apertures, producing a dense, mechanical texture. Overall proportions are rigid and architectural, with straight-sided bowls, tight joins, and a consistent, engineered repeat of internal cut-ins across the alphabet and numerals.

Best suited for short, high-impact settings such as headlines, posters, wordmarks, packaging titles, and signage where its compact width and heavy color can work as a graphic element. It performs especially well when set with generous tracking and ample line spacing to let the interior cut-in details read clearly.

The tone is assertive and utilitarian, evoking industrial labeling, vintage signage, and tech-noir titling. Its compressed width and dark color give it a commanding, no-nonsense presence, while the repeated cut-in details add a stylized, crafted edge.

The design appears intended to deliver maximum impact in minimal horizontal space while maintaining a cohesive, modular look. By combining rounded-rectangular construction with consistent internal notches, it aims for an industrial display aesthetic that stays legible at large sizes and reads as distinctly branded.

The distinctive internal vertical cutouts are a defining motif, helping separate dense letterforms at larger sizes while increasing visual complexity. In continuous text, the condensed spacing and narrow counters create a strong horizontal banding, making it feel more like a headline tool than a general-purpose reader.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸