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Free for Commercial Use

Sans Normal Tukap 2 is a bold, wide, high contrast, upright, normal x-height font visually similar to 'Chakai' by Latinotype, 'Resort' by Los Andes, and 'Blacker Sans Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, magazines, branding, book covers, editorial, authoritative, classic, formal, premium, display impact, editorial tone, brand presence, classic-modern blend, crisp, sculpted, calligraphic, bracketed, sharp.


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This typeface presents as a heavy, high-contrast design with broad proportions and a compact, steady rhythm. Strokes show pronounced thick–thin modulation with sharp, tapered terminals and wedge-like joins that create a carved, sculptural feel. Curves are full and rounded while counters remain relatively open, and many letters feature subtle, serif-like flares and bracketed transitions despite an overall clean, modern silhouette. Uppercase forms read strong and stately; lowercase maintains a traditional structure with sturdy stems, tight apertures on some letters, and clear, prominent dots on i and j. Numerals follow the same contrast and weight distribution, with rounded forms and crisp horizontals that keep the set visually cohesive.

It is best suited to display typography such as headlines, cover titles, posters, and brand marks where contrast and weight can be showcased. It can also work well for magazine decks or short editorial passages at larger sizes, especially where a confident, premium voice is desired.

The overall tone is editorial and authoritative, combining a classic, print-like seriousness with a polished, contemporary finish. Its bold presence and sharp contrast evoke headlines, fashion or cultural publishing, and confident brand statements rather than casual or utilitarian UI text.

The design appears intended to deliver a strong, attention-holding display voice by pairing broad proportions with pronounced stroke modulation and sharpened terminals. It aims to feel refined and classic-adjacent while remaining clean enough to sit comfortably in modern editorial and branding systems.

The design relies on energetic diagonals and pointed terminals (notably in letters like A, V, W, X, and Y), giving it a dynamic, slightly calligraphic edge. Spacing appears generous in display sizes, helping the dense strokes and deep curves stay legible and impactful in tight compositions.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸