Sans Normal Tukap 3 is a bold, wide, very high contrast, upright, short x-height font visually similar to 'Wienerin' by Sudtipos (names referenced only for comparison).
Keywords: headlines, editorial, posters, book covers, branding, authoritative, dramatic, formal, classic, impact, refinement, editorial tone, classic voice, clarity, high-contrast, flared, sculpted, calligraphic, bracketed.
A high-contrast roman with strong thick–thin modulation, upright stance, and broad, open proportions. Strokes terminate in subtle flares and small bracket-like transitions rather than sharp, hairline serifs, giving the forms a sculpted, inked quality. Curves are generous and smooth (notably in C, O, S, and numerals), while joins and inner counters are tightly controlled to keep the heavy weight from closing up. Uppercase letters read sturdy and monumental; lowercase shows compact bodies with relatively small bowls and short extenders, producing a dense texture at text sizes. Numerals are similarly contrasty and traditional in rhythm, with distinctive curves and tapered terminals that match the letterforms.
Works best in headlines, decks, pull quotes, and poster-scale settings where the contrast and flared detailing can be appreciated. It can also serve for editorial branding, book covers, and logotypes that need a strong, classic voice, while longer passages will benefit from comfortable leading to avoid a dark, compact texture.
The overall tone is editorial and authoritative, with a refined dramatic contrast that feels suited to classic publishing and institutional branding. The flared terminals add a human, slightly calligraphic warmth, balancing the weighty presence with elegance rather than blunt heaviness.
The design appears intended to deliver a bold, high-contrast presence without resorting to overt serifs, using flared terminals and smooth curves to evoke a classic, print-oriented sensibility. Its proportions and controlled counters suggest an emphasis on impact and clarity in display and editorial contexts.
Spacing appears moderately generous for such a heavy design, helping maintain legibility in the sample text. Diacritics are not shown; the sample demonstrates a consistent rhythm across mixed case and figures, with punctuation and ampersand matching the same contrast-driven, sculpted construction.