Sans Superellipse Omnam 3 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'AFerrugem' by DMTR.ORG and 'Sicret' by Mans Greback (names referenced only for comparison).
Keywords: logos, headlines, posters, ui labels, packaging, futuristic, techy, playful, clean, retro, modernize, soften geometry, display impact, interface clarity, rounded, geometric, modular, soft corners, flat terminals.
This typeface is built from rounded-rectangle geometry with smooth, superelliptical curves and consistently thick strokes. Corners are broadly radiused, counters are open and rounded, and many joins feel gently squared rather than purely circular, giving the forms a modular, engineered look. Terminals tend to be flat and clean, with a slightly condensed feel in some glyphs and generous curvature in others, creating a distinctive, constructed rhythm. Numerals follow the same rounded, monoline logic, with simplified shapes and strong, even color on the page.
It performs best in display roles such as logos, branding wordmarks, headlines, posters, and product packaging where its geometric personality can read clearly. The sturdy strokes and open shapes also suit UI labels, app headers, and signage at moderate-to-large sizes, especially in technology or modern lifestyle contexts.
The overall tone is modern and tech-forward with a friendly softness. Its rounded geometry reads as approachable and slightly retro-futuristic, evoking digital interfaces, sci‑fi titles, and mid-century modern signage without feeling ornamental. The steady stroke weight and simplified shapes also lend it a clean, confident voice.
The design appears intended to merge geometric clarity with softened corners, producing a constructed sans that feels both engineered and approachable. Its consistent stroke and rounded-rectangle skeleton suggest a deliberate focus on contemporary, screen-friendly shapes that remain distinctive in branding.
Distinctive superelliptical construction is especially evident in rounded letters and bowls, which lean toward rounded-square silhouettes rather than perfect circles. The lowercase has a compact, contemporary feel, and the punctuation and numerals maintain the same softened, geometric system for cohesive setting in short texts.