Font Hero

Free for Commercial Use

Sans Other Rynoh 5 is a very bold, narrow, medium contrast, upright, short x-height font visually similar to 'Curtain Up JNL' by Jeff Levine and 'Blank' by Umka Type (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, industrial, military, retro, stencil-like, authoritative, space saving, high impact, signage feel, modular styling, condensed, geometric, rectilinear, angular, modular.


Free for commercial use
Customize the font name

A condensed, rectilinear sans with heavy, uniform strokes and sharply squared terminals. Letterforms are built from straight stems and hard corners, with occasional triangular notches and small cut-ins that introduce a faint stencil-like rhythm without fully breaking strokes. Counters are tall and narrow, spacing is tight, and the overall texture is dense and emphatic. Numerals and capitals maintain a consistent modular construction, while the lowercase keeps the same rigid geometry with compact bowls and short extenders.

Best suited for short, high-impact settings such as posters, headlines, wordmarks, packaging, and signage where a compact, forceful texture is desirable. It can also work for UI labels or category headers when set at larger sizes and with slightly increased letterspacing to preserve clarity.

The font conveys a tough, utilitarian tone—mechanical and disciplined—with a retro industrial edge. Its angular cuts and compressed proportions suggest signage, labeling, and equipment markings, giving text a commanding, no-nonsense presence.

The letterforms appear intended to maximize visual strength and economy of space through condensed proportions and modular, straight-edged construction. The added notches and cuts provide a distinctive display flavor while keeping the overall voice practical and systematic.

The design’s distinctive character comes from repeated right-angle geometry paired with occasional diagonal incisions (notably in letters like K and X), which adds visual bite and helps differentiate otherwise blocky shapes. The narrow internal spaces mean the face reads best when given adequate size or generous tracking in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸