Sans Superellipse Hogev 4 is a very bold, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Chamelton' by Alex Khoroshok, 'Nomenclatur Mono' by Aronetiv, 'ATC Harris' by Avondale Type Co., 'ITC Blair' by ITC, 'Moderna Condensed' by Los Andes, 'PF DIN Mono' by Parachute, 'Arbeit Technik' by Studio Few, 'Kommon Grotesk' by TypeK, and 'TT Commons™️ Pro' by TypeType (names referenced only for comparison).
Keywords: headlines, posters, signage, labels, packaging, industrial, utilitarian, technical, punchy, retro, high impact, clear labeling, geometric uniformity, retro-tech feel, blocky, rounded corners, sturdy, compact, geometric.
A heavy, monolinear sans with compact proportions and a distinctly blocky construction. Curves are built from rounded-rectangle shapes, giving bowls and counters a squarish, superelliptical feel rather than true circles. Terminals are mostly flat and abrupt, with consistent stroke thickness and little modulation, producing a dense, even color in text. The lowercase is simple and functional, with single-storey forms and short, sturdy joins; punctuation and figures match the same blunt, robust geometry.
Best suited for bold headlines, posters, and short bursts of text where strong, blocky forms are an advantage. It also fits well in signage, labeling, packaging, and UI elements that benefit from an assertive, technical look and consistent rhythm.
The overall tone is utilitarian and mechanical, with a confident, no-nonsense presence. Its rounded-square curves add a friendly softness to an otherwise industrial, workmanlike voice, evoking labeling, equipment markings, and retro-digital aesthetics.
The font appears intended to deliver maximum impact with a disciplined, geometric structure, combining a rugged, industrial backbone with softened, rounded-square curves for approachability. It prioritizes uniformity and clarity over delicate detail, aiming for high visibility and a distinctive, engineered texture.
The design emphasizes uniform rhythm and tight internal shapes, so counters can feel compact at smaller sizes while remaining strongly legible at display sizes. The squared-off curves and flat terminals create a distinctive texture that reads as both modern and slightly nostalgic.