Sans Superellipse Ogdid 9 is a bold, wide, low contrast, upright, normal x-height, monospaced font visually similar to 'Bluset Now Mono' by Elsner+Flake, 'Nekst Mono' by Serebryakov, 'Monogamma' by Tolya Doodko, and 'TT Autonomous' by TypeType (names referenced only for comparison).
Keywords: ui labels, terminal ui, signage, packaging, posters, industrial, utilitarian, technical, retro computing, sturdy, system feel, durability, compactness, geometric consistency, interface clarity, squared, rounded corners, blocky, compact apertures, large counters.
A heavy, squared sans with generously rounded corners and a distinctly geometric, rounded-rectangle construction. Strokes stay even throughout, with blunt terminals and tight, compact apertures that create a dense, solid color on the line. Curves resolve into superellipse-like bowls and shoulders, while joins and corners remain clean and controlled, giving the design a rigid, modular rhythm. Numerals and letters share a consistent, engineered feel, emphasizing stability and uniformity over calligraphic nuance.
Best suited to interface labels, dashboards, and terminal-inspired design where a firm, uniform rhythm is desirable. It also works well for bold headlines, industrial branding cues, product packaging, and wayfinding-style signage where legibility at moderate sizes and strong silhouette matter more than delicate detail.
The tone is pragmatic and machine-like, evoking industrial labeling, terminal typography, and retro technical interfaces. Its chunky shapes and rounded-square logic feel confident and no-nonsense, leaning more toward functional signage than expressive editorial typography.
The design appears intended to deliver a rugged, system-like voice using rounded-rectangle geometry and a tightly controlled structure. It aims for clarity and consistency across glyphs, producing a compact, engineered look that reads as modern-industrial with a retro-computing undertone.
The combination of thick strokes, rounded corners, and tight internal openings yields high visual weight and strong presence, especially in short strings and UI-style text. The overall impression is intentionally simplified and robust, prioritizing repeatable geometry and a compact silhouette.