Sans Superellipse Ogdid 6 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Qubo' by Hoftype, 'Burlingame' and 'Certo Sans' by Monotype, 'Sans Beam' by Stawix, 'Byker' and 'Metral' by The Northern Block, and 'Ranelte' by insigne (names referenced only for comparison).
Keywords: headlines, branding, posters, logos, packaging, friendly, modern, confident, techy, playful, impact, approachability, geometric clarity, brand voice, display presence, rounded, soft corners, geometric, compact, sturdy.
A heavy, rounded sans with a squarish superellipse skeleton and softened corners throughout. Curves resolve into rounded-rectangle bowls and counters, while straight strokes stay broad and even, producing a dense, stable color on the page. Terminals are mostly blunt and squared-off with radiused edges, and joins are clean and mechanical. The lowercase has a single-storey a and g, compact apertures, and a generally boxed-in rhythm; numerals echo the same rounded-rect geometry with sturdy, flat-sided forms.
Well-suited for headlines, display copy, and short UI or product labels that need a strong, friendly presence. The geometric rounding and sturdy forms work particularly well in branding, logos, packaging, and poster graphics where a compact, modern sans voice is desired.
The overall tone is friendly and contemporary, with a slightly tech-industrial flavor from the squarish curves and compact counters. Its soft-corner geometry keeps it approachable, while the weight and tight interior spaces make it feel assertive and attention-getting.
This font appears designed to deliver a bold, contemporary sans identity built from rounded-rectangle geometry—balancing approachability (soft corners) with impact (dense strokes and compact counters). The consistent superellipse construction suggests an intention for clean, repeatable forms that feel modern and systematized.
The design reads best at medium-to-large sizes where the rounded corners and superellipse bowls are most apparent; in smaller settings the compact apertures and dense stroke mass can make text feel tight. The uppercase is especially blocky and logo-ready, while the lowercase and digits keep consistent rounding and a cohesive, system-like feel.