Sans Superellipse Nugay 5 is a very bold, wide, low contrast, italic, tall x-height font visually similar to 'Black Square' by Agny Hasya Studio, 'FX Ambasans' by Differentialtype, and 'Sweet Square' and 'Sweet Square Pro' by Sweet (names referenced only for comparison).
Keywords: sports branding, tech branding, gaming, posters, headlines, sporty, techy, dynamic, modern, energetic, impact, speed, modernity, cohesion, branding, rounded, oblique, soft corners, monoline, squarish.
A heavy, oblique sans with monoline strokes and a rounded-rectangle construction throughout. Curves resolve into soft corners rather than true circles, producing squarish bowls and counters (notably in C, O, D, and 0/8/9). Terminals are smoothly rounded and edges are consistently radiused, giving a molded, superelliptical feel. The rhythm is compact and punchy with large internal counters for the weight, and the overall slant is steady across uppercase, lowercase, and numerals. Numerals share the same rounded, forward-leaning geometry and maintain clear, sturdy silhouettes at display sizes.
Best suited for branding, logotypes, packaging, and promotional headlines where an energetic, modern voice is needed. It also works well in gaming and esports visuals, sportswear graphics, and bold UI moments such as hero banners, buttons, or section headers where impact and quick recognition matter.
The font conveys speed and forward motion through its consistent oblique stance and aerodynamic, softened geometry. Its chunky, rounded forms feel contemporary and engineered, landing in a space between sports branding and tech interface aesthetics. The tone is assertive but approachable, avoiding harshness thanks to the generous corner rounding.
The design appears intended to deliver a high-impact, contemporary sans built from rounded-square geometry, emphasizing speed, solidity, and friendly aggression. Its consistent oblique angle and softened corners suggest a goal of looking fast and modern while staying legible and cohesive in display applications.
Uppercase forms lean toward wide, blocky silhouettes with simplified joins, while lowercase keeps a single-storey feel where applicable and maintains clear differentiation between similar shapes. The design favors smooth continuity and uniform stroke behavior over calligraphic modulation, which helps it read as a cohesive system in headlines and short bursts of text.