Sans Other Uhte 15 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: display, headlines, posters, sci-fi ui, branding, technical, schematic, futuristic, minimal, experimental, geometric construction, sci-fi tone, schematic look, stylized display, monoline, geometric, angular, wireframe, faceted.
A monoline, geometric sans built from straight segments and sharp angles, with frequent faceting that gives bowls and curves an octagonal, polygonal feel. Strokes remain consistently thin and even, with open joins and occasional deliberate gaps that create a constructed, plotted look rather than continuous outlines. Counters are often squared-off or multi-sided, terminals are blunt, and several glyphs lean on simplified, sign-like structures (for example, E/F built from sparse horizontal arms and O/Q rendered as polygonal rings). Spacing and widths vary by glyph, reinforcing a modular, engineered rhythm.
Best suited to display settings where its constructed geometry can be appreciated—headlines, posters, title cards, and tech-forward branding. It also fits interface mockups and sci‑fi themed graphics where a wireframe/drafting aesthetic is desired, and it can work for short labels or packaging callouts when set at larger sizes with generous tracking.
The font conveys a technical, schematic tone—more like drafting marks or a wireframe interface than a conventional text face. Its angular construction and segmented continuity read as futuristic and experimental, with a cool, precise demeanor that feels intentionally non-organic and slightly coded.
The design appears intended to translate a sans alphabet into a plotted, polygonal system: straight segments stand in for curves, and selective breaks emphasize an assembled, schematic feel. Consistency of stroke weight and repeated faceting suggests a focus on a unified geometric language over conventional readability, prioritizing distinctive texture and a futuristic, engineered presence.
In text, the thin strokes and segmented forms produce a light, airy color and a distinctive rhythm, but also make small sizes feel brittle and potentially ambiguous where similar shapes converge. The strongest character comes from the repeated faceted geometry across rounds (C/G/O/Q) and the consistent reliance on straight-line construction even in traditionally curved letters.