Sans Other Uhsu 14 is a very light, wide, monoline, upright, normal x-height font.
Keywords: sci‑fi ui, tech branding, posters, headlines, logotypes, futuristic, technical, minimal, geometric, schematic, interface aesthetic, geometric experiment, sci‑fi display, systematic construction, squared, angular, modular, wireframe, blueprint.
A geometric, linear sans built from thin, uniform strokes and crisp right angles, with occasional diagonal joins. Many characters are constructed from open, boxy forms—C/E/F and several lowercase letters read like framed outlines rather than filled shapes—creating a high-contrast impression through negative space rather than weight. Corners are sharp and terminals tend to be abrupt, with simplified curves that resolve into chamfers or straight segments (notably in rounded letters and numerals). Spacing and widths vary noticeably from glyph to glyph, contributing to a constructed, modular rhythm in text.
Well suited to display settings where a futuristic or engineered feel is desired: interface mockups, tech or gaming titles, event posters, and distinctive logotypes. It also works as an accent face in editorial layouts when paired with a more conventional text font; for long passages or small sizes, the open constructions and thin strokes may require generous sizing and contrast-aware backgrounds.
The overall tone feels futuristic and technical, like lettering drawn from schematics, circuit diagrams, or sci‑fi interfaces. Its airy strokes and open counters give it a cool, experimental calm, while the squared geometry adds a precise, engineered character.
The font appears designed to explore a wireframe, modular take on a sans alphabet—prioritizing a consistent stroke system and squared geometry over traditional typographic softness. The aim seems to be a distinctive, forward-looking voice for display typography that evokes technical drawing and digital signage.
Several glyphs intentionally depart from conventional sans forms (e.g., open bowls, angular “curves,” and simplified diagonals), which increases personality but can reduce instant legibility at small sizes. The design reads best when the linear construction and interior gaps have enough room to remain distinct.