Sans Superellipse Hideg 6 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'CA Cula' by Cape Arcona Type Foundry; 'Neusa Neu' by Inhouse Type; 'Bourton', 'Bourton Hand', and 'Burford' by Kimmy Design; 'Golden Record' by Mans Greback; and 'Azbuka' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, friendly, retro, bold, playful, approachable, impact, warmth, legibility, retro flavor, display emphasis, soft corners, rounded terminals, compact, blocky, high contrast (figure/at.
A heavy, compact sans with squared proportions softened by generously rounded corners and rounded-rectangle counters. Strokes appear largely uniform, producing strong, even color in text, while curves are built from superellipse-like geometry that keeps bowls and arches wide and stable. Apertures are relatively closed (notably in C/S-like shapes), and joins are clean and sturdy, giving the design a dense, sign-ready rhythm. Lowercase forms are simple and sturdy with single-storey a and g, short extenders, and a generally squat, space-efficient build; numerals match the same rounded-rectilinear logic with bold, legible silhouettes.
Best suited for headlines, posters, packaging, and signage where a bold, friendly presence is needed. It can also work for logo wordmarks and short callouts, especially in brand systems aiming for a retro-modern, approachable voice. For long-form reading, it will be most effective in short bursts or larger sizes due to its dense weight and compact forms.
The overall tone is upbeat and approachable, with a distinctly mid-century/retro poster energy. Its soft corners and rounded counters keep the weight feeling friendly rather than aggressive, making it well-suited to cheerful, high-impact messaging.
The design appears intended to deliver maximum impact with a soft, geometric personality: a sturdy display sans that stays highly legible while projecting warmth through rounded-rectangle construction and compact, confident shapes.
The font maintains consistent corner radii and curvature across rounds and diagonals, helping it feel cohesive at large sizes. The dot on i/j reads as a squared shape with softened corners, reinforcing the geometric system. In running text, the tight shapes and heavy mass create strong emphasis and benefit from generous spacing and larger sizes.