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Serif Humanist Gyhu 9 is a regular weight, normal width, high contrast, upright, short x-height font visually similar to 'Garamond No. 2 SB' and 'Garamond No. 2 SH' by Scangraphic Digital Type Collection (names referenced only for comparison).

Keywords: book text, editorial, headlines, print design, invitations, classic, literary, formal, warm, old-world, text readability, classic tone, editorial voice, print tradition, bracketed, flared, crisp, textual, bookish.


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This serif face shows crisp, bracketed serifs and clearly modulated strokes, with a calligraphic stress that reads strongly in rounded letters. Capitals are stately and slightly wide in gesture, with clean horizontal terminals and restrained detailing, while lowercase forms keep a compact x-height and traditional proportions. Curves are smoothly drawn and the joins feel slightly softened, giving counters an open, readable rhythm. Numerals follow the same old-style logic with varied shapes and lively curves rather than rigid, geometric construction.

It suits long-form reading such as books, essays, and editorial layouts where a traditional serif texture is desirable. The strong contrast and pronounced serifs also make it effective for headlines, pull quotes, and refined print applications like programs or invitations, especially when a classic voice is needed.

The overall tone is traditional and cultured, evoking printed literature and editorial typography. Its sharp contrast and confident serifs add a sense of formality, while the subtle calligraphic movement keeps it from feeling sterile. The result feels established and trustworthy, with a hint of historic charm.

The design appears intended to deliver a classic old-style reading experience with a dignified, print-first character. By combining high-contrast modulation with warm, calligraphic proportions and compact lowercase rhythm, it aims to provide both editorial authority and comfortable, familiar readability.

Letterforms show consistent modulation and careful serif shaping that maintains clarity at text sizes while still looking refined when enlarged. The punctuation and ampersand harmonize with the main design, reinforcing a cohesive, classical texture across lines of copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸