Sans Superellipse Mera 2 is a very bold, wide, medium contrast, italic, normal x-height font.
Keywords: headlines, posters, branding, packaging, sportswear, sporty, retro, punchy, confident, friendly, impact, approachability, speed, display, rounded, soft corners, compact counters, high-ink, forward-leaning.
A heavy, forward-leaning sans with rounded-rectangle construction and soft, squared curves throughout. Strokes are consistently thick with gently tapered joins, giving a smooth, brushless “inked” feel while maintaining clean, geometric control. Counters are compact and often squarish, and terminals tend to be rounded or slightly blunted rather than sharply cut. The overall rhythm is bouncy and energetic, with sturdy, blocky forms and clear separation even at display sizes.
Best suited to short-form display settings such as headlines, posters, logos, and bold brand lockups where its dense stroke weight and rounded geometry can read clearly. It also fits energetic packaging and sports- or street-inspired graphics, especially when set large with generous spacing for clarity. For longer text, it will work most comfortably in brief bursts like subheads, pull quotes, and callouts.
The font reads bold and upbeat, combining a sporty slant with a warm, approachable softness. Its rounded geometry and dense color create a confident, attention-grabbing tone that feels retro-leaning without becoming decorative. The impression is lively and assertive, suited to messaging that wants to feel fast, fun, and direct.
The design appears intended to deliver maximum visual presence with a friendly, rounded sans structure and a forward-leaning stance. Its proportions and compact counters suggest an emphasis on strong color on the page and quick recognition, aiming for a contemporary-retro display voice rather than a neutral text tool.
Round letters like O/C/G show a distinctly squarish curvature, reinforcing the superelliptical backbone. The lowercase has a casual, slightly compressed feel with prominent bowls and short, thick linking strokes, while figures are similarly chunky and graphic, designed for impact more than delicacy.