Sans Normal Osrip 14 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'AG Royal' by Berthold, 'Innova' and 'Seconda Soft' by Durotype, 'Averta Standard PE' by Intelligent Design, 'Agent Sans' by Positype, 'Mundial Narrow' by TipoType, 'Gordita' by Type Atelier, and 'URW Grotesk' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, straightforward, punchy, impact, clarity, approachability, modernity, simplicity, rounded, geometric, compact, blocky, clean.
This typeface uses heavy, even strokes with rounded curves and mostly squared terminals, creating sturdy, compact letterforms. Counters are relatively tight and apertures tend toward the closed side, giving the design a dense, poster-ready texture. Curves look smooth and circular (not calligraphic), while joins and corners are simplified and slightly softened for consistency. The overall rhythm is stable and vertical, with broad, solid shapes that maintain clarity at large sizes.
It performs best in display contexts such as headlines, posters, packaging, and bold brand marks where its compact weight and rounded geometry create strong presence. It can also work for short UI labels or navigation elements when a firm, attention-grabbing voice is desired, though longer paragraphs may feel dense due to the tight counters.
The tone is bold and approachable—more friendly than severe—while still feeling contemporary and assertive. Its dense shapes and simplified geometry project confidence and immediacy, making it feel suited to high-impact messaging rather than subtle nuance.
The design appears intended as a robust, geometric sans with an approachable edge—built to deliver maximum impact with minimal stylistic distraction. Its consistent stroke weight and rounded construction suggest a focus on clarity, firmness, and modern versatility in prominent text.
The numerals are wide and weighty, matching the letters closely, and the punctuation in the sample text reads clearly at display sizes. Because the interior spaces are tight, the font’s visual color becomes quite dark in long lines, especially in all-caps settings.