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Free for Commercial Use

Sans Superellipse Etmuk 6 is a bold, narrow, low contrast, italic, tall x-height font visually similar to 'Ramsey' by Associated Typographics, 'Mako' by Deltatype, 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'PT Filter' by Paavola Type Studio, '946 Latin' by Roman Type, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).

Keywords: sports branding, posters, headlines, logotypes, app ui, sporty, dynamic, techy, assertive, modern, speed, impact, modernization, compactness, branding, rounded corners, condensed, squarish, compact, tight fit.


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A condensed, forward-slanted sans with compact proportions and rounded-rectangle construction. Strokes stay uniform with softened corners and squared counters, producing a superellipse feel in bowls and apertures. Terminals are mostly blunt and clean, and the overall rhythm is tight with efficient spacing and a slightly mechanical consistency. The lowercase shows single-storey forms and sturdy, simplified shapes, while the numerals are equally compact and blocky, optimized for impact at larger sizes.

This font is well-suited to sports and fitness branding, event graphics, posters, and punchy editorial headlines where a compact, high-impact voice is needed. It can also work for logotypes and interface labels that benefit from a streamlined, forward-moving look, especially at medium to large sizes.

The overall tone is energetic and performance-oriented, combining a modern, industrial crispness with a friendly softness from the rounded corners. It reads as fast and purposeful, with a contemporary tech/sport attitude rather than a neutral text voice.

The design appears intended to deliver a fast, modern display sans that combines condensed efficiency with softened geometry. Its rounded-rectangle forms and strong slant aim for immediacy and recognizability, prioritizing bold signage-style clarity over quiet, long-form reading.

Capitals are tall and narrow with a strong slant that reinforces motion. Rounds like C, G, O, and S feel more squared than circular, and the diagonals (K, V, W, X, Y) keep a firm, engineered geometry. The heavy black presence and tight internal spaces suggest the design is meant to hold its shape in short, emphatic settings.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸