Sans Other Ibfi 1 is a bold, wide, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, posters, branding, packaging, industrial, techno, futuristic, modular, signage, distinctive voice, stencil effect, tech branding, display impact, systematic geometry, stencil cuts, rounded corners, geometric, blocky, high contrast gaps.
A heavy, geometric sans with rounded outer corners and frequent vertical slit cut-ins that create a stencil-like construction across many letters and figures. The strokes are largely uniform in thickness, with broad, squared terminals and simplified, mechanical joins. Counters tend to be compact and the cut gaps often interrupt bowls and stems, giving forms like O/C/G/S and several numerals a segmented, engineered look. The overall set balances wide capitals with slightly more compact lowercase, maintaining consistent rhythm through repeated slot motifs and rectangular apertures.
Best suited for display work where its segmented construction can be appreciated: headlines, poster titles, logos, product branding, packaging, and tech or industrial-themed graphics. It can also work for short signage-style phrases or UI titles, but the cut-ins suggest using generous sizes and spacing for maximum legibility.
The repeated slit detailing and rounded-square geometry give the face a futuristic, industrial tone—evoking machinery labeling, sci‑fi interfaces, and techno branding. It feels assertive and synthetic rather than humanist, with a playful edge from the stylized interruptions and puzzle-like letterforms.
The design appears intended to offer a strong, contemporary sans with a consistent stencil/slot motif, merging soft rounded corners with hard, modular geometry. Its aim is distinctive impact and a coherent futuristic voice rather than neutrality, providing a recognizable texture across both letters and numerals.
The stencil interruptions are a core identifying feature and become especially prominent in curved letters and the numerals, where they read as deliberate “gates” or bridges. Several glyphs lean toward display-first clarity, as the segmentation can dominate at smaller sizes but adds distinctive personality at larger settings.