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Free for Commercial Use

Sans Normal Yilop 6 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'AG Royal' by Berthold, 'Corelia' by Hurufatfont, 'HF HySans' by HyFont Studio, and 'Paul Grotesk Stencil' by artill (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, labels, industrial, utilitarian, military, gritty, impactful, stencil marking, rugged texture, high impact, practical display, stencil, rounded, monolinear, blocky, inked.


Free for commercial use
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A heavy, stencil-like sans with rounded, segmented forms and short bridges that break bowls and counters into discrete parts. Strokes read largely monolinear, with softened corners and slightly irregular edges that evoke an inked or sprayed application rather than crisp geometry. Proportions are compact with broad, sturdy shapes and generous internal openings where the stencil cuts allow, producing a punchy, high-contrast silhouette against the page. Spacing appears straightforward and functional, with consistent rhythm across capitals, lowercase, and numerals.

Best suited to short, bold statements such as posters, headlines, product packaging, labels, and wayfinding where a stenciled aesthetic is desired. It can also work for logo wordmarks and themed graphics that benefit from an industrial or military-marking feel, especially at medium to large sizes.

The overall tone is industrial and utilitarian, with a clear association to stenciled marking systems. The roughened edges add a gritty, hands-on character that feels practical and assertive rather than refined.

The design appears intended to emulate stencil cutouts used for painted or sprayed lettering, combining rounded sans construction with practical bridges that preserve counters. The added edge roughness suggests an aim for authenticity and texture, prioritizing visual punch and recognizability in display settings.

Stencil breaks are frequent and stylistically consistent, showing up across rounded letters (C, O, Q) and even some straighter constructions, which reinforces a unified marking-system aesthetic. Numerals follow the same language, with segmented curves and sturdy, easy-to-spot silhouettes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸