Sans Superellipse Gybov 2 is a bold, very wide, monoline, upright, tall x-height font visually similar to 'Cubest' by Mans Greback (names referenced only for comparison).
Keywords: headlines, branding, posters, gaming, ui labels, futuristic, techno, industrial, digital, space-age, tech branding, systematic look, sci-fi display, sturdy legibility, squared, rounded, geometric, modular, stencil-like.
This typeface is built from rounded-rectangle geometry with softly radiused corners and consistent stroke weight throughout. Curves tend to resolve into squared bowls and superellipse-like counters, producing compact, boxy silhouettes even in letters that are traditionally round. Joins and terminals are predominantly flat and orthogonal, with occasional notched or cut-in details that add a slightly modular, engineered feel. Spacing looks sturdy and even at display sizes, and the figures follow the same squared, rounded-corner construction for a highly uniform rhythm.
It works best for bold, high-impact settings such as headlines, logotypes, packaging, and posters where its squared rounded forms can be a defining graphic element. The consistent stroke weight and modular construction also suit on-screen contexts like UI labels, HUD-style overlays, and gaming or tech-oriented visuals, particularly at medium-to-large sizes.
The overall tone is futuristic and utilitarian, with a distinctly digital, interface-like character. Its rounded-square forms feel technical rather than friendly, suggesting machinery, dashboards, and sci‑fi signage. The design reads confident and assertive, leaning toward a sleek industrial aesthetic.
The design appears intended to translate rounded-rectangle geometry into a cohesive alphabet that feels engineered and contemporary. By prioritizing squared curves, uniform stroke behavior, and occasional notched detailing, it aims to deliver a strong, modern display voice associated with technology and industrial design.
Several glyphs incorporate deliberate interior cutouts and squared counters that keep the color dense while preserving legibility. The lowercase maintains the same architectural language as the caps, giving mixed-case settings a consistent, system-font presence rather than a calligraphic or humanist one.