Sans Superellipse Pogep 2 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Agharti' by That That Creative, 'TT Trailers' by TypeType, and 'Graphique Next' by profonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, labels, poster, industrial, condensed, utilitarian, retro, space saving, high impact, display clarity, signage tone, blocky, rectilinear, monoline, compact, punchy.
A condensed, heavy sans with a distinctly rectilinear build: curves are compressed into rounded-rectangle bowls and tight apertures, giving counters a narrow, vertical feel. Strokes read largely monoline, with crisp terminals and little to no flare, producing a dense, even color in text. Uppercase forms are tall and columnar; lowercase keeps a high, compact structure with short extenders and simple, sturdy joins. Numerals follow the same narrow, stacked proportions, maintaining a consistent rhythm across letters and figures.
Best suited for short-to-medium setting where density and impact are desired: headlines, posters, packaging panels, labels, and wayfinding/signage that benefits from a tall, space-efficient footprint. It can also work for bold subheads or UI accents when a condensed, high-presence style is needed.
The overall tone is assertive and no-nonsense, with a strong vertical cadence that feels industrial and poster-ready. Its tight spacing and compressed geometry suggest urgency and impact rather than delicacy, leaning toward a slightly retro, sign-like voice.
This font appears designed to maximize presence within limited horizontal space by combining condensed proportions with sturdy, rounded-rectangular construction. The consistent stroke weight and tight internal shapes emphasize uniformity and strong silhouette recognition for display-driven typography.
The design’s narrow counters and compact apertures create a dark, continuous texture, especially in longer lines. Round letters like O/C/G and the bowls in B/P/R appear squared-off and controlled, reinforcing the font’s engineered, compressed personality.