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Free for Commercial Use

Sans Superellipse Pimas 4 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Tungsten' by Hoefler & Co., 'Polate Soft' by Typesketchbook, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, branding, industrial, authoritative, condensed, utilitarian, modern, space saving, high impact, signage utility, modernize forms, blocky, monoline, tight, compact, vertical.


Free for commercial use
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A compact, vertically driven sans with heavy, monoline strokes and tightly controlled proportions. Curves resolve into rounded-rectangle (superellipse) shapes, giving bowls and counters a squarish softness rather than pure circles. Terminals are clean and blunt, joins are sturdy, and spacing is economical, producing a dense, poster-like rhythm. The lowercase shows a tall x-height with short ascenders/descenders, keeping lines visually even and minimizing vertical swing.

Best suited to headlines and short statements where space is limited but impact is needed, such as posters, signage, labels, packaging, and bold brand lockups. It can also work for interface headers or navigation in contexts that benefit from a compact, high-presence sans, while longer body text may feel dense due to the tight proportions and weight.

The overall tone is forceful and no-nonsense, with a contemporary, industrial feel. Its narrow stance and solid weight read as confident and attention-grabbing, leaning more toward functional signage and headline communication than expressive or delicate typography.

The design appears intended to deliver maximum presence in minimal horizontal space, combining sturdy construction with softened, superelliptical curves for a modern, engineered look. It prioritizes strong word shapes, consistent texture, and immediate legibility at display sizes.

Round letters like O/C/G and numerals like 0/8/9 retain a squared, superelliptical geometry, which helps maintain consistent texture across words. The punctuation and figures appear designed to match the same compact, heavy rhythm, supporting dense typographic blocks.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸