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Free for Commercial Use

Sans Contrasted Tifa 4 is a regular weight, normal width, high contrast, upright, normal x-height font.

Keywords: branding, headlines, editorial, posters, logotypes, modern, refined, clean, confident, contemporary elegance, brand voice, display clarity, editorial tone, crisp, airy, geometric, sharp, open.


Free for commercial use
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This typeface presents a clean sans structure with pronounced stroke contrast and crisp, sharply finished terminals. Curves are broadly drawn and smooth, while straight strokes read as firm and vertical, giving the design a clear, upright stance. Counters are generally open and round (notably in O, Q, and lowercase o), and the overall rhythm feels steady with a slightly sculpted, calligraphic logic to thick–thin transitions. Diacritics are not shown; in the available glyphs, dots and punctuation-like forms appear circular and neatly aligned, reinforcing a precise, well-controlled build.

It performs best in branding, headlines, and editorial display settings where the contrast and crisp terminals can be appreciated. The clean sans foundation keeps it legible for short passages and subheads, while the stylized thick–thin modulation adds character for posters, packaging, and logotype work.

The overall tone is modern and refined, pairing a minimalist sans silhouette with a more expressive, contrasted stroke treatment. It feels confident and polished rather than casual, with enough sharpness and tension to read as contemporary and design-forward. The result sits comfortably in an editorial and brand-oriented space, where clarity and style are both expected.

The design intent appears to be a contemporary sans that introduces visible contrast to create a more premium, fashion/editorial voice without resorting to serifs. It aims to balance clarity with distinctive stroke modulation, delivering a sleek, curated look suitable for modern visual identities.

The numerals show a mix of straight and curved constructions with clear contrast, producing strong shape recognition at display sizes. Uppercase forms appear slightly more formal and architectural, while lowercase forms maintain openness and readability with a consistent, disciplined finish to terminals and joins.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸