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Free for Commercial Use

Slab Square Igle 6 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'House Of Cards' and 'Sheepman' by Dharma Type, 'Beachwood' by Swell Type, and 'Forthland' by Uncurve (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logos, industrial, athletic, poster-ready, assertive, retro, impact, compression, ruggedness, signage, branding, condensed, slanted, blocky, angular, hard-edged.


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A condensed, heavily built slab serif with a strong rightward slant and an overall squared, machined silhouette. Strokes are consistently thick with minimal modulation, and the terminals read as flat, block-like cuts rather than tapered finishes. Counters are tight and often rectangular, with occasional stencil-like notches and wedge intrusions that break up interior space and add a rugged rhythm. The lowercase maintains a tall profile with compact bowls and shoulders, while the numerals follow the same blocky, compressed geometry for a unified, high-impact texture.

Best suited to headlines, posters, and short promotional copy where strong presence and compact width are advantages. It fits well in sports and motorsport-style branding, bold packaging labels, and logo wordmarks that benefit from a hard-edged, industrial tone. Use generous tracking and ample line spacing for longer display blocks to keep counters from closing visually.

The font conveys a tough, utilitarian energy—part industrial signage, part sports branding—tempered by a vintage display feel. Its angular details and cut-in shapes add aggression and momentum, making lines of text feel fast, loud, and mechanical rather than refined or literary.

The design appears intended as a high-impact display slab that compresses a lot of weight into a narrow footprint while maintaining crisp, square-ended construction. The added cut-in details suggest an aim for rugged character and visual grip—evoking stamped metal, stenciled marking, or speed-driven branding aesthetics.

The dense spacing and narrow forms create a dark, continuous typographic color, especially in multi-line settings. Distinctive cut-ins and sharp joins help differentiate characters at display sizes, but the tight counters and heavy weight can make small-size reading feel crowded.

120px
108px
96px
84px
72px
64px
56px
48px
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Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸