Sans Superellipse Umlo 1 is a very bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, gaming, ui display, futuristic, tech, industrial, arcade, space-age, sci-fi aesthetic, display impact, systematic geometry, interface styling, rounded corners, squared forms, geometric, high contrast counters, compact apertures.
A geometric sans built from squared, rounded-rectangle forms with consistently softened corners and uniform stroke weight. Curves resolve into superelliptic arcs rather than true circles, giving counters and bowls a boxy, engineered feel. Terminals are predominantly blunt and horizontal/vertical, and many joins are tight, creating compact apertures and crisp interior rectangles (notably in E, B, 8, and 0). The overall rhythm is wide and sturdy, with an emphasis on clear modular shapes over calligraphic nuance.
Best suited to display settings such as headlines, posters, product branding, and gaming or entertainment graphics where a bold, tech-forward voice is desired. It can also work for large UI labels, dashboards, or packaging systems that benefit from sturdy, rounded-square letterforms and an industrial rhythm.
The design projects a futuristic, machine-made tone—confident, synthetic, and slightly retro-digital. Its rounded-square geometry evokes sci‑fi interfaces, arcade graphics, and industrial labeling, balancing friendliness from the soft corners with a hard-edged, technical structure.
The font appears intended to deliver an unmistakably geometric, futuristic display voice using rounded-rectangle construction and consistent stroke logic. Its simplified shapes and tight apertures prioritize impact and stylistic cohesion, aiming for a modern-tech or retro-sci‑fi identity rather than neutral text typography.
Uppercase and lowercase share a strongly unified construction, with single-storey forms and simplified details that keep the texture dense and uniform. Numerals match the same rounded-rectangular logic, reading like display figures intended to feel consistent with the caps. The typeface holds up best when given room; tight spacing and heavy mass can make interior openings feel small at reduced sizes.